Things like that inspire me, if I can give something to help out what they do then great. His voice, to me, doesn’t sound like anything I’ve heard before, so I gravitate towards it. The tone of his voice and his melodies stand out to me so I listen to a lot of that. Wicca Phase too, I’m a big fan of his music. Lil B has been doing his own thing for a long time. I like anything that stands out, something I feel is unique or I haven’t heard anything like it before. Have your influences and inspirations changed over time? You have crossed over into the pop and alternative realms, working with the likes of Kelela, Wicca Phase and Lil Peep – Did you find your creative methods changed when switching it up from hip-hop? I didn’t start making beats until I was about fourteen. I had a little drum set when I was about six years old. I started when I was really young, the first thing I did was drums. Within the contemporary soundscape you are very much an inspiration for producers on the come up, but what was it that inspired you to get into making music initially? We caught up with Clams to chat all about the release of 'Winter Flower', the decade long legacy of '$AP' and making it onto Lil B’s MySpace page. It’s this constant drive for sonic diversity that has kept Clams Casino at the very top of most critics favourite producers lists – working with the likes of Wicca Phase, Kelela and Mac Miller on culture-defining sequences.

It’s a stripped-back listen, each component lay bare amongst an ethereal soundscape.

You could forgive him then for perhaps wishing to take a well deserved break, but staying true to his constant striving for different listening experience he has just released an ambient, re-contextualised album of the sounds he has become known for over the years.

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